Our lab tests measure resolution, dynamic range and signal to noise ratio. We test cameras both in real-world shooting scenarios and in carefully controlled lab conditions. Read more: Canon EOS R review How we test cameras It's an ideal way to buy into the Canon RF lens system, which is very much looking like the way of the future, and a good first stepping stone for those who have half an eye on upgrading to one of the more recent cameras. However, if you don't mind losing about 6MP in resolution, we would also recommend the Canon EOS RP as it comes with an even lower price tag for largely the same results.įor enthusiasts, however, the EOS R is a more appealing camera, and a lot cheaper than the newer EOS R6, which actually has a lower resolution, or the flagship EOS R5 and its showstopping 8K video. Three years later it's a much more appealing proposition, thanks to firmware-improved performance and a more competitive price tag. It still suffers the same limitations, namely the lack of IBIS and the cropped 4K, though its 30.3MP sensor continues to make it an appealing system. When it was launched we called the Canon EOS R capable, customizable, but compromised. While the EOS 90D is a newer camera, we're still recommending this one for enthusiasts as it's currently one of the cheapest routes into full-frame around. AF performance is very good, and the camera handles a variety of lighting scenarios with ease, while battery life at 1,200 shots is likewise commendable. What's been left out, however, is 4K video, although there is a 4K time-lapse option that stitches together images into a 4K video, plus a microphone input to help you give audio capture a performance boost. We also get a latest-generation DIGIC 7 processor, but perhaps the most noticeable difference from the previous model on the outside is the 3in vari-angle display, which responds to touch. Like the feel and handling of a traditional SLR and want to step up from APS-C to full-frame photography? Then the second-generation, weather-resistant EOS 6D has got to be near top of your list, particularly with its headline feature being a new 26.2MP full-frame sensor and a sensitivity range that can be expanded to ISO 50-102,400 equivalents. For that reason, we're sticking with the Mark III version as our recommendation for now. It's more like a miniature A1 than an entry-level full-frame model in the way previous A7 cameras have been. However, it's not a sequel exactly – it's an enormous jump in power, complexity and, yes, price. Sony has since upgraded this camera with a successor, the Sony A7 IV. For top performance at a sensible price, it’s the best Sony camera out there – but it is holding its price very firmly, and for stills photographers the older Sony A7 II is a very tempting (and cheaper) alternative. Handling is good, though some may find the body a little small when paired with pro lenses, but that applies across the Alpha range. There’s a 24.2MP back-illuminated image sensor, coupled with the latest generation of image processor, and the two deliver amazing tonal range and make super-high ISO settings possible. Headline features include highly effective 696-point AF system and a 5-axis image stabilization system that promises 5EV of compensation. It might not have the blinding speed of Sony’s top-flight A9 II or the ultra-high-resolution of the A7R IV, but the Sony A7 III grabs many of the best bits from these pricier models and delivers them in a more affordable package.
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